The Brass Age of Comic Books Overview Pt. 1: 1986-1994
Origins
The Brass Age of Comic Books would begin over in 1986, with many attributing
Crisis of Infinite Earths as its end and with the beginning of DC's New Earth coming a brand new age of comic books. However, many factors outside of the world of comic books would be serving as large contributions for why this age came about. One of the biggest ones was because of the presidency of Mo Udall. Namely, that with his dominance of Congress and the White House, large levels of reform would lead to such a change in the status quo that comic books found themselves being left behind with stories that would seem antiquated and no longer fitting the new paradigm. After all, how could stories of Peter Parker struggling to pay for Aunt May's hospital bills work now that the United States would have an extensive universal single-payer healthcare system along with methods to pay for vocational college and other things? Another aspect was the dying down of the Cold War pressure and concerns that dominated the zeitgeist for ages along with other large scale concerns and issues. The failures of the Drug War would help frame to complicate the view of being "tough on crime", especially as more were considering the nature of what perpetuated crime, at least outside of organized crime. Social change was also a massive one. Third-wave feminism and the rise of SATMIN+ civil rights would bring the need to address more the plight of women of minorities along with a rejection of the "second-wave puritanical view of sex" and the embrace of the various shades of feminine along with the growing prominence of queer folk, with the need for allegories decreasing.
While DC would not be as affected by these changes given their embrace of the eccentric nature of superhero comics, the situation would be shown sooner there because of how events piled up. Marvel meanwhile would
have to make this change as their attempts of more aimed at realism with their world meant that they were noticeably more outdated, which what led to
Infinity War and the Afterwar status quo mimicking the DC New Earth status quo. A chance to start fresh with some new talent, learning from the mistakes of the past and also clarify or reshuffle some things. However, the Big Two weren't the only big game changers going on right now. The rise of Image Comics made a point on creator-owned comics still being prominent and a bold new challenger. Jim Shooter's departure from Marvel after conflicts with Paramount would lead to the rise of Valiant Comics, become the inheritor of the assets of Malibu and Jim at the helm of the revived Ultraverse Project. Even Disney it would seem would show some interest over in comics given thier acquisation of Harvey Comics and some sort of deal over with Archie Comics. And this is not including even the internal projects, such as the growing success of Vertigo Comics in DC, Marvel trying to match it with relaunching Epic Comics and of course, the rise of Milestone Comics over with DC as publisher, the latter being a big case to showcase the need to improve diversity and representation in the medium. It was like a new Golden Age of Comics; while based on the practicality of the Bronze Age aspects, it would be polished up and given more refinement to create somthing beyond... hence the term the Brass Age of Comic.
By 1994, the foundations of the Brass Age of comic books would be set up, and be considered the half-way point, as the latter half would be defined by upcoming phenomena.
DC Comics
DC Comics had worked and changed on its stuff since CoIE, especially with the launch of imprints such as Vertigo and its deal with Milestone. Fresh new talent would come in and expand on alot of stuff that would grab interest, with big names like Grant Morrison being of tremendous aid in establishing Vertigo along with contributing their talents over in the creation of the new status quo here. At the same time though, some things remained the same, even if just given a fresh coat of paint, with some noting a timeless quality to them. Superman would maintain his status as being the beloved paragon of the community and the big-name icon, though more was now being focused on how he was raised human along with expanding on him as a person, including likes, dislikes and hobbies, with one major note is his journalism angle being taken seriously along with his growing relationship with Lois Lane. Others would undergo larger changes such as Wonder Woman and her mythos. As part of the trend of third-wave feminism, they began looking more into her. While starting as a big self-indulgent, the new writers and old guard did begin into looking what differentiated Diana from Clark and Bruce outside of her gender and what worked with the others. This began leading to Diana getting some of her own needed growth as a character and on what she wants along with expanding on her supporting cast and her environment. Another fascinating aspect that was chosen was on applying more of Greek mythology, especially since a growing realization was that many of the Olympians were jerks and out of touch with humanity, given a new angle of Diana in dealing with them. Her past was changed from being a doll brought to life to having been created by her mother along with the blood of Prometheus (who helped Hippolyta in the first place, since he was one of the makers of humanity) and explaining the source of her powers. It did get a bit of raised eyebrows, but the explanation was accepted, especially since it wouldn't have to address as many issues on her original origin and also not being correlated as much with Captain Marvel/Billy Batson. An interesting side note would also be in the gradually growing note of Wonder Woman as a queer icon as it would be heavily implied she was multi along with the focus on her supporting cast, which included Hercules (having gone from a villain to now a retired hero and the one who guided Hippolyta to Prometheus).
Others meanwhile were more in between with how many of them needed changes. One was Batman of all folk. While a darker and more serious tone was taken with him, one of the problems gradually coming on with Batman was on keeping him relevant given how there was a growing sense of how to portray mental health and the changes in how to handle crime (that with some of it rooted in crime). That said, Batman's war on
organized crime maintained a strong sense of relevancy, especially given its difference though he would also be influenced on more mysterious phenomenon. In fact, writers would known that the television shows
Twin Peaks and
The X-Files would become big influences on the tones of future Batman stories, allowing the Caped Crusader to handle crime in ways that philantropy would not be able to, especially in strange cases . Some were just expansions on characters' personalities such as the gold-hearted dork in Barry Allen as the Flash or even introducing new characters. One of the growing new names in DC would be Kimiyo Hoshi, the first human female Green Lantern and 4th Green Lantern of Earth. A struggling comic artist, she was chosen not because of her inheritant bravery, but out of a sense of courage, going in to do what's needed despite being scared. It would also provide a young counterpart to the other Lanterns to tutor, with Hal Jordan mainly though also John Stewart becoming increasing prominent. Kimiyo herself would befriend many of the young heroes her age such as Dick Grayson, having started once more as Robin and becoming Nightwing along with others such as Wally West, Donna Troy and Supergirl. Supergirl herself would also begin getting more focused, with many seeing the fun contrast between her and her cousin. If Clark was the farm boy adjusting to the big city and discovering his large heritage, then Kara was the city girl going to a smaller town and becoming more enamored with her found family, all while dealing with her own unique villains and exploring a different side of Krypton. More heroes were being introduced in side stories and funding their niche such as Vixen, a model with the power to control and summon plantlife or Goldstar, the heroine from the future, helped by her brother, Booster. One major pleasant surprise was focusing on some lesser known heroes such as Martian Manhunter in differentiating him from Superman and making his stories more cerebral and exploring some aspects of how an alien civilization could be. In fact, one note of change was how here, Mars was lost ages ago and J'onn on of the last of his kind, and having a longing for his lost home in contrast with Superman. Meanwhile there was the exploration for Aquaman on what it meant ruling a kingdom and also realizing what it meant to have the powers of living underwater (with one famous story showing him doing quite well in boxing Superman) and lost secrets to even the scientific adventures of The Atom III, Enrichetta Negrini, who was interpreted as mixed race based on an old drawing. More and more, the stories were taking themselves seriously and proving to be enjoyable, with may hoping that an eventual Justice League comic may come about. Interestingly enough, some changes also had unexpected results; the attempts of differentiating Jason Todd by making him abrasive and ruthless would not be met too well and though it was rumored that he would be killed, this would be averted and he would leave for his own. This would accidentally create a plot hole for the Teen Titans comic where Dick told the newcomers/next iteration of the team of Starfire, Cyborg, Beast Boy and Raven would be led by a friend named Jason. However, the creative team would serendipitously find someone who fit the role through the old character, Jason Hart/The Protector, with here being made into a sucessor of the Guardian with many noting Jason Hart himself being more influenced by Marvel's Peter Parker.
Outside of the main DC titles, the Vertico imprint would be quite successful too. From the standout hits of Neil Gaiman's
Sandman series being ported there to with various others, it was looking to become the hotspot for alot of the more occult and spooky aspects over of DC itself. It was proving to be a pretty good breeding ground for the more creative and out-there ideas, especially with pushing the boundaries. The representation of SATMIN minorities in the various
Sandman stories have garnered plenty of positive news over for them. Another branch here that would be benefitting would be Milestone Comics, part of the greater Milestone Media. With it being centered in adding moe diversity to comics, titles such as the time-pausing supehero
Static and the Superman-like figure in
Icon would be doing quite well and creator Dwayne McDuffie would be pushing for more givne what has been done so far along with newer ones like
Xombi and
Shadow Cabinet being released. Aimed definitely for a bit more of an older audience, many were surprised by what Milestone Comics were able to get away with with Milestone Media saying that despite how uncomfortable some of the stories and direction if mainly because not being used to. While it would be unknown what would happen to Milestone Media after the expiration of their deal with DC Comics, there wasn't too much worry since the relationship had proben beneficial for them so far. However, Milestone would still be dealing with some concerns given the glut of brand new comics that were coming out at the same time along with some retailers concerned over the audience. Despite these concerns, both parties were working on the issue and would figure out how to deal with it.
Marvel
Marvel would wait until 1990 to be able to with their own rebooting of their universe, having realized they would need to for the sake of relevancy though throughout the process, it was also becoming clear how much opportunity they possessed in a fresh start. Given how Marvel's perceived angle was being more "realistic" in their tone of the stories compared to their "Distinguished Competition", needing to actually keep up with the changes to reality would be essential. And as they began working on what would be called on the new status quo sometimes called "Afterwar" or sometimes "Post-Eternity", they began also shifting around their priorities, especially on what worked. As they would look over their cast of characters, it was also seeing who was popular and for what reasons. Spider-Man would maintain his large and famous popularity with some noting that out of all of Marvel, he's the one who resembles most a DC hero, with a familiar rogues' gallery, support group and even most associated with New York. They would try and reshuffle some of their characters for this, especially since some were created more for team-focused stories and thus did not have as much ground to stand on their own. Spider-Man himself would be largely the same, that of a nerdy young man becoming a superhero and learning the great responsability that came with great power along with the trials of being a teenager and later adult though more focus was done to his science roots. Another hero who would get major attention would be Carol Danvers/Ms. Marvel. Beyond Marvel trying to make her their "Wonder Woman" (if replacing mythology with the cosmos), it was also driven by a form of repentence for her treatment prior to "Post-Eternity" and to make her a notable character in her own right though it came with a bit of the difficult task to try and distinguish her more from her inspiration, Mar-Vell. Despite this, Carol would be increasingly popular as a heroine standing against intense odds as a cosmic heroine and the angle of her trying to find life outside of her miltiary work. Similar characters would be touched upon and expanded such as Iron Man and his futurism, the Hulk with his condition and struggles and even Thor with a revitalization and changes to the original portrayal as the stories take more from the original mythos and the like. Even with the teams, more focus was done to balance on what their intentions would, such as exploration with the Fantastic Four. While not being as developed as DC's new status quo yet, many people were excited, especially with the upcoming return of Captain America coming in 1995 and further ideas.
However, one of the biggest changes would be the fate of the mutants. Namely, the X-Men, the Brotherhood and so on would be removed away from the main universe and transcribed into a new continuity. Specifcially, as part of the resurrection of the old "New Universe" imprint from back in the mid-1980s. Titled
Neoversal (coming from neo, Latin for new and universal), the idea was to bring life back to Shooter's idea of a more realistic setting and exploring the consequences of superpowers. This foundation was what convinced the creative team to move the X-Men, Brotherhood and mutants over to this since they would sync quite well together. The
Neoversal imprint would see the world much like real life until July 22, 1986, which would coalesce with the "White Event", a strange cosmic phenomena that would cause genetic anomalies in people, much like the original story, However, these genetic anomalies here would result in the rise of mutants and through here, watching the rise of the X-Men and Brotherhood of Mutants, going through the various dates. Despite the shock and concern, the idea would prove to be quite popular and many were wondering what more could be done. Theories bounded like Apocalypse and his kin being the result of a prior White Event to wondering how the Star Brand would be integrated here and its mythos. Beyond just the Mutants, many of the cast from the original "New Universe" would be brought in, now considered mutants as well for the most part and filling out various niches and ideas here. Each one of the stories are usually dated and exploring how things have been changing since the White Event though often flashbacks are done to explore the lives of the older characters (such as Magneto and Professor Xavier, who were both born in 1936 and thus would be 50 when the White Event would make them mutants). This along with
Neoversal aiming to be unafraid to various topics, not unlike Milestone, would definitely make it popular. The only main point was of course on the mutant powers being scaled back to varying degrees if to avoid the troubles of the initial run, though they were still laxer on the rules than previously.
Of course, this would lead to some questions regarding the main Marvel universe or Earth-616 for that matter. Surprisingly, the moving of the mutants into their own sort of universe was not as difficult as people expected, given how seperate the X-Men were from the others. The major concern was on the Scarlet Witch and Quicksilver, given how they would be claimed to be Magneto's kids. This would be changed and despite the initial surprise, many noted this was not surprising given how this was not the first time that the two had their origin changed and were closer to the Avengers anyway. However, their new origin has remained a mystery, with some speculating that they may be connected with the mysterious "Inhumans" as it's speculated that some of the staff may bring them back to more prominence. Others are noting that Marvel may try and do more over with the Eternals though this was uncertain given the growing illness of legendary comic book creator Jack Kirby and the disputes Marvel and their new parent company Paramount were facing given the concerns of payment and so on, something that grew more and more outspoken that many figures, including Jack's old partner Stan Lee would get involved in dealing with the company. Overall, despite still trying to find their footing and how to do things in this new world, especially with some of the other issues they were dealing with, many believed that Marvel was on track for its own fascinating work.
Independent Comics
Independent comics would begin seeing a rise as well here. More and more artists and writers were wanting to not just make money for their stories and creations, but to maintain control and ownership of their creations in the first place. This was especially the case as comic books were gradually becoming more and more popular over time among the mainstream. It would be this desire for self-actualization and control over their own creations that would lead to the rise of Image Comics to try and match DC and Marvel. With a large stream of talented artists and other creators, it would not be long before Image Comics would begin producing their own high quality and popular work. From Todd McFarlene's hellish anti-hero Sin-Eater (OTL's Spawn) to Jim Lee's Wildstorm Comics and so on, the umbrella group would ne enjoying large success, even with a bit of the struggles of working together, such as Rob Liefeld's clashing interests or Chris Claremont often having to work with multiple projects at the same time from different groups. Despite this, they would be starting to do quite well with their more radical and out-there concepts, especially with them owning the rights to their works and stories.
Another group working closer with them would be Valiant Comics. Starting up by Jim Shooter after his departure by Marvel, many wondered if he would be able to go on and make further successes. A chance deal over with Malibu Comics to absorb them and implement the Ultraverse in Valiant would give him the opportunity. While not entirely character owned like Image, it was certainly still looser and worked better with its creators than the Big Two have, including maintaining the share of the royalities, and many were wondering how the Ultraverse may be able to do. From Prime to Hardcase to the various others, including forming their own team known as Ultraforce. The central concept of the "Godwheel" would be kept over for this portrayal of the Ultraverse and it was becoming clear more and more that with this strange possibility, weirder and more varied stories could be told here. While arguably having the biggest disadvantage, it was still worthwhile in seeing what exactly could be done over with Jim Shooter's efforts over in the company.
Upcoming Changes?
Image Comics and Valiant Comics were currently the hot topic trends over in comic books though it would be uncertain if they would be able to maintain their momentum, especially with the concerns of a glut of comic books and the market being oversaturated. However, rather than let this dismay them, more and more some of the others would begin looking into alternate venues and possibilities to combat this and to reach out more to their audience.
However, the upcoming second half of the Brass Age would seem to be defined not by any of these playes, but by two new forces. One was Disney's announcement that they were planning on restructuring over their comic book department, which many wondered if it was connected to their purchase of Harvey Comics and the unknown plans with the unknown Archie Comics characters. What made this more intriguing was on the bit how one of the contributors to the plan was Jim Henson, who gave ideas inspired based on a trip to Japan alongside Eisner.
The second one would be more unexpected and not even considered until later down the line, but it was on Akashica, the online bookstore created by Jeff Bezos. During one of his first interviews, one of the last questions given to him was by an intern, who reportedly asked him if comic books would be offered for purchase. Many noted Bezos about to answer before pausing and gaining what some called "a look of inspiration" before noting that it was certainly a strong possibility and something to look into...
These two external forces would play larger roles in the world of comics than anyone would expect...